Search: Starring Don Cheadle

Being a loser is like dying by degrees. Mueller, with co-writer Kevin Kennedy, reflects this most accurately and Penn's performance runs contrary to anything he has done before.

Has a brooding and moody power that makes up for what it lacks in originality.

Beatty cannot decide whether to exaggerate wacky wrinkliness, or press for prizes in the turkey neck beauty contest.

Haggis weaves his tapestry with infinite skill, aided by exquisite performances.

A powerful testimony to the changes that may come when people make an effort to let their voices be heard.

Self-hatred and lies, stuck on the merry-go-round of never-ending temptations... give Flight its tension.

McDonagh takes what could be a hackneyed tale of mismatched buddy cops and spins it to blisteringly funny effect.

Not since The Goonies has there been a display of spectacular home-made gadgets to equal this.

This is a solid film, but it is the truth that holds the power, not the direction.

Anyone who enjoyed the first Iron Man will love this, but if they expected something better then they will be disappointed.

Things do explode. Lots of things. The difference between this and the previous outing is that we care why they're exploding and about the people who are standing next to them when they do.

Cheadle attempts to give us the feel of the man rather than the real essence.

By treating the script intelligently, De Palma is following Kubrick's example.

What starts as an almost domestic story involving a couple of low-rent hoods will gradually morph into a game of high stakes with unlikely players and a plotline that takes its cue from events in the real world full of corporate rather than card sharks.

Twelve is the new 11 and mediocre is the new good.

The plot may be off the credibility charts, but while you're in it you're loving it.

If ever a film seemed aimed squarely at a family matinee audience, this is it.

Even Jim Carrey couldn't get away with a plot as daft as this and since it's based on an Elmore Leonard novel, you wonder whose to blame.

Sandler turns in one of the most convincing portraits of a mentally ill person seen on our screens for years.

Travolta revels in his role. Mr Bad suits him and he has the charm to pull it off.

Manages to build suspense and keep you engaged as the action moves across continents.

Stephen Gaghan's script covers the territory with brutal honesty. The actors respond in kind.

An accomplished feature about sin and redemption.

The excellent supporting cast – with Lopez impressive as ever – elevate the material,

Caution - and science - are thrown to the wind, and it's all action.

Baumbach shoots his disaster scenes, evacuations, and poisonous cloud rife with contradictions. The purple sky of doom is beautiful and strangely soothing.